Zabel Igor 2001 ââåwomen in Blackã¢ââ Art Journal 60 4 College Art Association 17ã¢â“25
Each week this Women'southward History Calendar month, nosotros highlight the rich scholarship and programs produced at CAA that celebrate women in the fields of visual arts and the humanities. This week, we are sharing a bibliography of manufactures from our open up-access journal Art Journal Open that feature women artists.
This Women's History Calendar month is also peculiarly significant this year, which is the 50th anniversary of feminism at CAA. To larn more than most this history,visit this page. CAA is also collecting archival materials to better empathise and document the history of its Committee of Women in the Arts, including the committee'south many collaborations with other affiliate committees and groups, such as the Women's Conclave for Art, The Feminist Fine art Projection, the Queer Caucus, and many more.Visit this folio for more information.
 | Andrew, Nell. "DadaDance: Sophie Taueber's Visceral Abstraction." Art Periodical Open (July 3, 2014). Sophie Taueber-Arp, Costless Vertical-Horizontal Rhythms (Rythmes verticaux-horizontaux libres), 1919, gouache, 11 15⁄16 x 8 9⁄sixteen in. (30.iii x 21.eight cm). Stiftung Hans Arp und Sophie Taeuber Arp e.Five., inv. 003.205 (artwork in the public domain; photograph provided by Stiftung Hans Arp und Sophie Taeuber Arp) |
 | Barakeh, Zeina. "Projections for the Third One-half [Cloud Tempest]." Art Journal Open (August 6, 2020). Zeina Barakeh, Projections From The 3rd Half [Cloud Storm], 2020, animation, 3 min. (artwork © Zeina Barakeh) |
 | Hairdresser, Tiffany E. "Narcissister, a Truly Kinky Artist." Art Periodical Open up (March 11, 2020). Narcissister, Red Riding Hood, 2014, mixed media (photograph provided past the artist) |
 | Berrigan, Caitlin and Sasha Engelmann. "Fault Lines and Fractures: A Conversation about Imaginary Explosions." Art Periodical Open up (December 17, 2020). Caitlin Berrigan, excerpt from Imaginary Explosions, 2018 |
 | Bryan-Wilson, Julia and Mary Beth Heffernan. " Facing Social Practice: Mary Beth Heffernan in chat with Julia Bryan-Wilson." Fine art Journal Open (June xxx, 2020). Stanford Express Care nurse Anna Chico, who was among the get-go providers to apply PPE Portraits for COVID-nineteen care, March 2020 (photograph by Cati Brown-Johnson) |
 | Burns, A.K. and Melissa Ragain. "ScriptingA Smeary Spot ." Fine art Journal Open up (December 8, 2017). The belatedly Jack Doroshow performs every bit Mother Flawless, a clairvoyant psyche. In this scene she recites an extract from Joanna Russ' sci-fi novel Nosotros Who Are About To. . . , A.Chiliad. Burns, video all the same from A Smeary Spot, 2015, four-channel video installation, HD color, six-aqueduct sound, TRT 53:13 (artwork © A.M. Burns; epitome provided by the artist, Callicoon Fine Arts, NY, and Michel Rein Gallery, Paris/Brussels) |
 | Cancelmo, Amy. "Roots and Constitutional Kija Lucas and Amy Cancelmo in Conversation." Art Journal Open (August 30, 2016). Kija Lucas, Bristol 30, 2013, archival pigment impress, 20 x 24 in. (50.viii x 60.9 cm), from In Search of Abode, (artwork © Kija Lucas) |
 | Carland, Tammy Rae and Ann Cvetkovich. "Sharing an Archive of Feelings: A Conversation." Art Journal Open (October 24, 2013). Tammy Rae Carland, Galz Living Room, MWMF, from Outpost, 2004, color photo, 20 x 24 in. (50.8 x 61cm) (artwork © Tammy Rae Carland) |
 | Costello, Kate. "P&P ." Art Journal Open (Nov 3, 2016). Still from Kate Costello,P&P, 2016, video, ane min., 26 sec. (artwork © Kate Costello) |
 | Craycroft, Anna. "To Mind." Art Journal Open (October 25, 2017). Sophomore Seminar with 1000000 Cranston and Marlena Donohue, April 5, 2017: Million Cranston and Marlena Donohue's class met with Anna Craycroft to discuss Tuning the Room in relation to Umberto Eco's essay "The Open up Work." (artwork © Anna Craycroft) |
 | Craycroft, Anna. "To Tape, to Interpret, to Comment." Art Journal Open (March 1, 2017). Anna Craycroft, The World Is a Magnet, 2016, installation view, function of The Creative person's Museum, Institute of Gimmicky Art Boston, November 16, 2016–March 26, 2017 (artwork © Anna Craycroft; photograph by Charles Mayer) |
 | DaPonte, Amy A. "Candida Höfer's Turken in Deutschland as 'Counter-publicity'." Art Journal Open up (January 6, 2017). Candida Höfer, Untitled from Türken in Deutschland 1979, 1979, color slide projection, fourscore slides, approx. seven min., dimensions variable (artwork © Candida Höfer, Köln/VG Bild-Kunst, Bonn 2016) |
 | Fuenmayor, Jesús. "Barricades of Silence: Nikita Gale in Chat with Jesús Fuenmayor." Fine art Periodical Open (August twenty, 2020). Nikita Gale, INTERCEPTOR, 2019, installation view, Fall Apart: Nikita Gale & Pat O'Neill, Martos Gallery, New York, Jan 11–February 24, 2019 (artwork © Nikita Gale; photograph by Charles Benton/Martos Gallery, provided past the artist) |
 | Goodeve, Thyrza Nichols. "The Cat is My Medium: Notes on Writing and Fine art of Carloee Schneemann." Fine art Journal Open (July 29, 2015). Carolee Schneemann, Kitch's Last Repast, 1973–76, Super 8mm film, double projection, vertical, sound on cassette, ca. v hrs., two installation views (artwork © Carolee Schneemann; photographs provided past the artist) |
 | Goulish, Matthew. "A Clear 24-hour interval and No Memories: Neurology, Philosophy, and Analogy in Kerry Tribe's HM." Art Journal Open (February 5, 2014). Eadward Muybridge, Pi-Wi-Ack, Valley of the Yosemite (Shower of Stars), "Vernal Fall," 400 Feet Fall, No. 29, 1872, wet-plate collodion photograph (photograph in the public domain) |
 | Graham, Amanda Jane. "Infinite Travels: Trisha Brown'southward Locus." Fine art Journal Open (July 22, 2016). Trisha Brown, Locus Solo, 2011, performed by Diane Madden in "Performance 11: OnLine/Trisha Brown Dance Company" in conjunction with the exhibition On Line: Drawing through the Twentieth Century, Museum of Modern Art, New York, Jan 2011 (photographs © Yi-Chun Wu; photographs provided by Museum of Modern Art/Licensed by SCALA/Fine art Resource, NY) |
 | Jenkinson, Monique. "Diva Maw." Art Journal Open (Oct 29, 2020). Monique Jenkinson (Fauxnique), Diva Maw, 2020, digital video, five:35 min.; soundtrack by Marc Kate, Untitled ("Diva Maw" Soundtrack), 2020, sound file (video © Monique Jenkinson; soundtrack © Marc Kate) |
 | Kauffman, Vanessa. "Outside of Time: Patricia Fernández Carcedo in Conversation with Vanessa Kauffman." Art Journal Open (August 12, 2016). Visitors in Patricia Fernández Carcedo's studio during Headlands' Autumn 2015 Open House (artwork © Patricia Fernández Carcedo; photo by Rebecca Puretz, provided by Headlands Center for the Arts) |
 | Laser, Liz Magic and Christopher Y. Lew. "InterAct: a reenacted interview." Fine art Periodical Open (May four, 2011) Liz Magic Light amplification by stimulated emission of radiation, Flight, 2010, functioning, MoMA PS1, Long Isle City, April 10, 2010 (artwork © Liz Magic Laser; photograph by Mia Tramz, provided by Derek Eller Gallery). The performance was developed in collaboration with actors Lindsey Andersen, Nic Grelli, Elizabeth Hodur, Michael Wiener, Max Woertendyke, and Lia Woertendyke |
 | Lee, Young Jean. "Women in Downtown Theater." Art Journal Open (August 26, 2012). |
 | Leeson, Lynn Hershman. "Excerpts from the Graphic Novel !Women Art Revolution—A Secret History." Art Journal Open (May 29, 2011) |
 | Mann, Elana. " Ane 24-hour interval I volition make a mace, but for now I have a mouth." Fine art Periodical Open up (September 30, 2021). Elana Mann, Unidentified Brilliant Object #61, 2021, clay, woods, and glass, fourteen ½ x 3 ½ x 3 ¾ in. (36.8 x 8.9 x nine.5 cm) (artwork © Elana Mann; photographs by Brica Wilcox) |
 | Masley-Charlet, Caitlin. "Caitlin Masley-Charlet in Chat with Elisabeth Smolarz." Art Journal Open (June 5, 2018). Elisabeth Smolarz, ENCYCLOPEDIA OF THINGS, ongoing 2014–2017. Archival inkjet prints, dimensions variable. Courtesy of the artist. |
 | Masley-Charlet, Caitlin. "Caitlin Masley-Charlet and Diana Shpungin in Conversation." Fine art Journal Open (July viii, 2016). Diana Shpungin, detail of A Suspension in Ane and Several Places, 2015, graphite pencil, horsehair broom, glazed porcelain and stoneware, 24 x 43 x 14 in. (60.9 x 109.two x 35.v cm) (artwork © Diana Shpungin) |
 | McKee, C.C. "'a salting of sorts': Salt, Ocean, and Affective Course in the work of Deborah Jack." Fine art Journal Open (July 30, 2019). Deborah Jack, SHORE, 2004, nylon screens, video projection, rock salt, reflecting pool, dimensions variable, installation view, Big Orbit Gallery, Buffalo, New York (artwork © Deborah Jack; photograph provided by the artist) |
 | McClure, Michael Jay. "If it Need Be Termed Surrender: Trisha Donnelly'southward Subjunctive Example." Art Periodical Open up (July 29, 2013). Trisha Donnelly, Untitled, 2008, plaster, horsehair, paint, pillow, belts, lamp, two parts, ea. 36 x lx 10 22¾ in. (91.four x 152.4 x 57.8 cm), installation view, The Quick and the Expressionless, Walker Fine art Center, 2009 (artwork © Trisha Donnelly; photograph provided past Casey Kaplan, New York) |
 | Ohsawa, Asuka. "Squares, Triangles, and Cats." Art Periodical Open (December 31, 2020). |
 | Porges, Maria. "Shortest Stories." Art Journal Open (Dec 20, 2018). |
 | Rosa, María Laura. " Questions of Identity: Photographic Series past Alicia D'Amico, 1983–86." Art Journal Open (July two, 2019). Alicia D'Amico photograph of Liliana, a operation by Liliana Mizrahi, 1983, scanned copy of original negative, reproduction from original 35mm negative contact (photograph © Archivo Alicia D'Amico, Buenos Aires) |
 | Santos, Dorothy R. " Domain Errors." Art Journal Open up (July 24, 2020). |
 | Schiff, Karen L. "Imprinting Agnes Martin." Fine art Journal Open (December xix, 2014). Karen L. Schiff, Agnes Martin, El País, 21 December 2004, 2, 2005, graphite and stylus on vellum, 17 x 12 inches (artwork © Karen Fifty. Schiff) |
 | Sifuentes, Aram Han. "Official Unofficial Voting Station: Voting for All Who Legally Can't." Art Journal Open (October 1, 2020). Protest Banner Lending Library, Allow U.s. Vote! and Official Unofficial Voting Station, 2020, cloth banners (photograph by Thaib A. Wahab) |
 | Szymanek, Angelique. "Haptic Encounters: Margarita Cabera'south Infinite in Between." Fine art Journal Open (October fifteen, 2020). Margarita Cabrera, Sewing Motorcar (Blue-Green), 2016, vinyl, thread, copper wire, and appliance parts (artwork © 2020 Margarita Cabrera/Licensed by VAGA at Artists Rights Society [ARS], NY; photograph provided by the creative person) |
 | Vlassopoulou, Penelope. "No water, Athens, Greece, 2015: Twenty-four hours with nothing to consume or potable, only smelling the jasmine." Fine art Journal Open (October 26, 2016). Excerpt from Pandelis Prevelakis,I Kefali tis Medousas [The Head of Medusa] (Athens: Friends' Editions, 1963), trans. the artist and Markus Nystrom |
 | Watt, Marie. "In Conversation with Marie Watt: A New Coyote Tale." Art Journal Open (Oct 19, 2017). Marie Watt, Blanket Stories: Transportation Object, Generous Ones, Trek, 2014, bandage bronze, 18 x four x 6 ft. (five.49 10 ane.22 x 1.83 m). Permanent installation, Tacoma Fine art Museum, Tacoma, Washington (artwork © Marie Watt; photograph by Benjamin Benschneider/OTTO) |
 | Wilson, Siona. " Portraits (and) Matter." Art Journal Open (Jan 13, 2022). |
 | Yoshitake, Mika. "Humans have been Man for then long: Shana Lutker and Mika Yoshitake in Conversation." Art Periodical Open (August 2, 2016). Shana Lutker, A handsome confused puppet, 2015, mirrored glass box, fluorescent lights, woods, marble, casters, 49 x thirty x 19 in. (124.iv x 76.2 10 48.2 cm) (artwork © Shana Lutker; photograph by Cathy Carver) |
 | Yurshansky, Jenny. " Hide and Seek ." Art Journal Open up (March 25, 2021). Jenny Yurshansky, Hide and Seek (folded view), 2021, interactive sculpture, inkjet print, 3 3/4 x three 3/4 x iii in. (9.v x 9.5 10 vii.six cm) (photograph provided by the artist) Folk tradition meets revisionist storytelling in Jenny Yurshansky's printable sculpture |
Source: https://www.collegeart.org/news/2022/03/21/womens-history-month-and-art-journal-open/
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